You talked to me today. Right when I needed it. I spent the
morning watching Netflix but I can’t remember what until I got to this ironic
Batman-esque movie starring Rain Wilson from the American Office called Super. Frank
(Wilson) is a loser and that’s okay with him because he has his wife and he
once helped a police officer go after a criminal, his two shining moments in
life, until his wife leaves him for a drug dealer, Kevin Bacon. He’s the best
part because he plays it cool like they’re all buddies before Frank knows what’s
going on. He convinces Frank to make him some eggs and tells him they’re the
best eggs in the world and asks if they’re the brown ones. They’re not. His
wife leaves, and he finds out why, but explains it as a kidnapping. He tries to
steal her back by pounding Bacon’s car till he warns “Don’t touch my car again.”
Gingerly, defiantly, Frank puts one finger on it, provoking him to lose it. He
doesn’t. “That’s not what I meant. Let’s get out of here.”
It’s the start of many misdirects, but it’s also the best,
one of the two funny ones. The other is after Wilson dons a super hero costume
and crouches behind a dumpster waiting for crime. A day passes and he notes, “Yesterday,
there was no crime.”
After the scene with Bacon, Frank reveals he’s had visions
from God. Children revealed as Satan. His wife revealed an angel. One more
comes after seeing a cheesy Christian super hero TV show, The Holy Avenger
(Nathan Fillion), and in this vision, God comes in the form of a Japanese
tentacle monster (an earlier scene makes it seem like it’s about to penetrate
him but instead it just slices the top of his skull so God can finger his
skull). It tells him to be a super hero, to fight crime, to dress like an idiot.
He does all of these, but starts small so his failures are small. Kids are
buying weed from a dealer and Frank, now the Crimson Bolt, tackles him. They
wrestle and Frank loses the struggle and flees. After consulting Libby (Ellen
Paige), a local comic book shop employee, he realizes he needs a weapon. He
chooses a monkey wrench. It matches his outfit. Now he’s taking down crime. In
a montage, he beats child molesters, drug dealers, thieves with varying degrees
of gratitude from the distressed. Each time he declares, “You do not deal
drugs. You do not molest children. You do not steal.” He’s a little too
passionate about beating these low-lifes with his wrench, but it’s done with
camp and with quick cuts so we only question it a little. But he’s in line
waiting for a movie and these two cut in front of some people. Hearing their
dismay, he thinks it’s time the real Frank shows his heroism, no wrench. It
doesn’t work so he gets his wrench and his costume from his car and cracks the
guy’s skull. It’s the first gore beyond a bloody nose or other expected wounds
from a super hero flick. It’s probably not realistic, but it’s gruesome. The
guy screams. His wife too. Frank tells her she cut too and he whacks her up the
side of the face. The crowd, who only thought of the Crimson Bolt as a joke,
now fear he’s a psycho. We’re starting to agree.
But Wilson feels bad. He knows he’s in trouble. He knows
favor has turned against him and the line cutters realized his identity as did
everyone in line (he changed in the car). The Crimson Bolt’s career is going to
be short so he has to rescue his wife while he can. He sneaks onto Bacon’s
property, sees his wife talking to Bacon and his goons, and breaks a window. Despite
his costume, they immediately recognize him as Frank so they pull their guns.
None of the other criminals had guns so apparently Frank isn’t ready to deal
with this. The Bolt bolts but gets shot.
Libby, who suspected Frank was the Crimson Bolt, nurses him
back to health needing only ten minutes and a whole bottle of alcohol dumped in
the wound. Ouch! Then she becomes Bolty, his “kid” sidekick. She’s 22. We’ve
lost sympathy for Frank and we’ll never have it for Libby. She’s a sex-crazed
lunatic living in a comic-fueled fantasy world posing like cheesecake art
heroines. She tries to seduce the morally rigorous Frank, who resists. He’s
married. The Crimson Bolt isn’t, so she sneaks in and rapes him, which he
submits to. On her first mission, more crouching behind a dumpster, she finds a
criminal in a kid who keyed her friend’s car a year ago. Frank is content with
scaring him, but Libby goes too far. She kills him. While lecturing her on her
recklessness and prepared to end their partnership, Frank is assaulted by Bacon’s
men. Libby saves him and the partnership. Frank also kills his first man.
A news report tells us that those beaten by the Crimson Bolt
had felony backgrounds so public opinion favors him, but for us, hope for
redemption is passed. The audience is now positive he’s a psycho and he’s
starting to realize that’s who he has to be to be a hero. He gets guns, bomb
building materials, Kevlar, sharp weapons. He’s killed once and it didn’t
bother him too much so might as well do it again, so long as they’re villains…I
hope. The situation doesn’t really come up, but he’d probably judge them as
guilt for littering or some other petty crime.
Now prepared for his final assault, he and Libby head to
Bacon’s mansion once more. There’s a drug deal with an African warlord so there
are extra men to kill. The deaths are gruesome and made worse for by the
KABLAM!-style sound effects written behind the gore.
Soon, the armed men are prepared for the attack. The element
of surprise apparently lasts one pipe bomb. They return fire and hit Frank’s Kevlar
vest, knocking him over. Libby takes one too, but to the face. Exaggerated for
effect, a quarter of her face is blown off. Movie-goers probably went expecting
a dark comedy, certainly not Ellen Paige’s brain mulching the lawn.
Fueled by the loss, Frank continues the annihilation until
he’s inside the compound. All the no-names die. His wife is raped by the warlord
with Bacon’s permission because as he observes, if someone assume she’s just
another prostitute, it’s probably time to move on. Bacon kills the warlord in
front of Frank and proclaims the two must be buddies, both heroes, just
misunderstood. Until now, the car, the rape, the killing, nothing’s fazed
Bacon, so when his rage surfaces as he shoots Frank several times, it’s the
most horrifying of the many misdirects.
Frank survives it. Bacon and his Bacon bits don’t. Frank’s
wife leaves him again, but to get married and have children and Frank accepts
her happiness. For some reason, he’s happy too. The public loves The Bolt, but
we’re happy to see him go.
As hated as Frank becomes for us, it’s not a bad movie. It’s
irony. It’s chaos and anarchy and potentially realism for how super heroes
would exist in reality. James Gunn, the director of The Guardians of the
Galaxy, deserves this to be called an interesting movie. Maybe it’s more art
than entertainment, persuasive and informative rather than moving and
relatable. But mostly it’s just disturbing.
I tried writing that like Roger Ebert. He was a master at
reviewing films and writing out his thoughts. He gives less plot than I did, but
his are meant to ready people for a film and I was just analyzing it.
I don’t know if it shows but that was the best part of my
day. The rest was a blur. I watched This is 40, which has a scene where Paul
Rudd runs away. Made a cookie, felt sick over it and the soda I washed it down
with. Made a video for you. Lady knows I’m depressed and she’s trying to cheer
me up but she’s also staying away because she knows I’m not in the mood to play
or be fun. Then I went upstairs and started to sleep, but couldn’t. I just lay
there crying and thinking about running away and then planned tomorrow to go to
the park and sit with your notebook until I could write something. My dad came
home and yelled up and you know how that normally irritates me but today I was
about to scream back, probably some obscenities, and then I got your email.
We talked. And you sent me that beautiful, sexy photo. I
love it. I’ve enjoyed it already a few times. Thank you for emailing me.
My walk with Lady was a lot better than yesterday, though I
really craved Burger King or Hardee’s. Fast food and soda are a few other
coping mechanisms of mine. Comfort food and all. I’m trying to resist, to keep
exercising, and not be a fat, tooth-rotting mess. I know it’s not important to
you that I’m fit, but it’s important to me that you find me sexy.